There is a kind of everyday life that

people stop noticing.


Not because it is not beautiful, but because it becomes familiar.

This is what I see.

I work in a documentary way

This is what I see.

I stay close to what is already there, the connection, the gestures, the quiet, everything that tells your story as it is.

Before photographing families, I spent years documenting real life.
I started with a local newspaper, then continued through personal projects in France.

It shaped how I see, observing, listening, finding meaning in simple moments.

When I was 18, my grandfather gave me my first camera.

Something clicked on me.

Images came more naturally to me than words.

It felt like the right way to tell stories.

Now, I see each session as a story unfolding

Because what feels ordinary today won’t feel ordinary forever.

Who you are, where you are, what your days feel like, and why it all matters.

I photograph families in places that feel true to them. At home, outside, in the spaces that hold their everyday life. I stay in the background so things can happen as they are.

That’s also why choosing images is never simple. Not because I look for the “best” ones, but because every frame holds something worth keeping.

It’s not about taking photos, it’s about building memories.

Then I became a mother. Another shift.


Living this life myself changed the way I work. I kept the same eye, the same approach, but I made my sessions softer, more flexible, shaped by what I now understand from the inside.

Then I became a mother. Another shift.


Living this life myself changed the way I work. I kept the same eye, the same approach, but I made my sessions softer, more flexible, shaped by what I now understand from the inside.

I don’t just photograph what I see.

I photograph what I feel and understand


And in many ways, it all started with that first camera.